Portfolio
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A Drawing of Muchness
2020 -
!?.
2020 -
I'm cutting you down because your time is up
2020 -
R.B. Still Life
2020 -
The Cliff (detail)
2019 -
The Cliff
2019 -
Sock Fish
2019 -
Bunk Chairs (detail)
2019 -
Bunk Chairs
2019 -
The Specimen
2019 -
Difference in opinion about essentially the same shit
2019 -
Meditating on the death of my cats in order to come to terms with my anxiety surrounding the death of my parents
2019 -
Pack of stray dogs hopes for a pack of crackers
2020 -
Car Tire Gallery
2020 -
Pom house
2020 -
Rogers
2020 -
The Winters
2019 -
Friends
2019 -
The Future
Acrylic , crayon and ink on paper. 18 x 24 inches. 2017. -
Umbrella
Ink and colored pencil on watercolor paper. 6 x 8.5 inches. 2016. -
Telemarketers Envision Vacation Time at the Lake
Drypoint etching and letterpress on Rives paper. Bound leporello in binders board with printed cover. Artist Book. Edition of ten. 2 x 3.5 inches. 2010. -
Telemarketers Envision Vacation Time at the Lake
Drypoint etching and letterpress on Rives paper. Bound leporello in binders board with printed cover. Artist Book. Edition of ten. 2 x 3.5 inches. 2010. -
Envision
Letterpress, acrylic, ink, and pen on Rives paper. Bound in dyed paste paper and binders board with cotton thread. Artist book. 11 x 7.5 inches. 2011. -
Envision
Letterpress, acrylic, ink, and pen on Rives paper. Bound in dyed paste paper and binders board with cotton thread. Artist book. 11 x 7.5 inches. 2011. -
Birds are never lost. We can learn from them.
Letterpress, woodcut and acrylic on Japanese paper. Artist book. 3 x 6 inches. Edition of six. 2015.
About
“Have you ever casually sniffed your own armpits to make sure you don’t stink? Or kissed your cat in the bald spot between her ear and her eye where her skin is very thin and you can feel her skull? Well I have, and I’m sure you have too. In these intimate moments we are skin stretched over a skeleton mostly filled with water; we are blood, we are hair, we are human.
Our daily routines seem banal in relation to the narrative of our lives, but if we look past the narrative and its many plot points, past the thesis and into the details, we can find something extraordinary, something that exists both inside and outside the everyday. This is the realm where I choose to create my artwork: the realm of the absurd where our habits are exposed and neuroses are elevated.”
-STR 10/06/2019
Sean T. Randolph makes books, drawings and other things. His books can be found the The Poetry Center in Tucson, Arizona, The Banff Centre in Alberta, Canada, and San Diego State University’s Love Library. He currently lives in Los Angeles, CA.
Contact
Resume: Sean’s CV
Email: seantrandolph@gmail.com
Instagram: @seantrandolph
Listen: @bandcamp
Watch: Radio Silence directed by Alex Italics
Press: The Walter Phillips Gallery , The California Journal of Poetics